Updated May 5, 2026
“In order for the light to shine so brightly, the darkness must be present.” -Sir Francis Bacon
When I began photographing the night sky in 2010, I routinely aimed for clear, moonless conditions because I assumed this was the best way to capture a clear illustration of the night sky. The photos I often came back with were visually exciting and rousing to the untrained eye however, throughout the years, I began noticing a common flaw; I was coming away with striking pictures of the Milky Way but the rest of my image was filled with ambiguous landscapes that didn’t tell the whole story. It wasn’t easy to hike into remote areas that challenged my capabilities over difficult terrain and long miles, nor was it a walk in the park to carry a heavy pack through miles of deep snow fields to reach the rim of a collapsed volcano. Still, I put myself in harms way to get the shot even when the earth shook as lightning shattered the calm next to my tent. And although I reached magnificent views that took my breath away in places few could ever witness in a lifetime, I consistently came back with very little to show.
“Photography is the story I fail to put into words.” -Destin Sparks
I’m not much of a writer; it’s obvious. I do my best to describe my experiences with written words, but I seem to do much better when I communicate through imagery. I can try to describe to you what it’s like to witness a vast night sky, filled with the brightest stars over a surreal landscape, but would eminently fail. Instead, I attempt to offer you a small taste of a magical moment with a glimpse of my experience. Knowing this, how can I expect you, the viewer, to fully grasp my visual story if it’s obscured?
Moon Phase: Waxing Crescent | Illumination: 15%
“I find one of the greatest challenges of photographing the night, is capturing the infinite obscurity.”
Throughout the years, the more I photograph the night, the more I crave moonlight. In fact, some of my favorite images are taken while under a moonlit sky. This is because light emitted from the moon allows elements of the scene to be much less hidden. Of course, the dim light we see doesn’t originate from the Moon. The Moon, like our planets, shines by reflecting sunlight. Roughly 3% of the Sun’s light that hits the Moon is reflected because its surface is actually quite black. This is why when light is reflected from the different ‘phases of the moon’; it provides various levels of illumination, each offering unique photographic opportunities.
Some common Moon phases include: New Moon, Waxing Crescent, First Quarter, and Full Moon. Each stage is significantly different in terms of the amount of light each period produces. Some Moon phases, like that of a Full Moon, can produce a significant amount of light on Earth. So when a Full Moon is combined with a long exposure photograph, the results can resemble conditions similar to daylight and reveal the smallest details in a vast, darkened landscape. Now you may be thinking that this amount of light will flush out the fainter stars in your images. This is why subtle Moon phases, like that of a Waxing Crescent or First Quarter, can provide the perfect balance of light in such a way that it illuminates your landscape, but keeps most of the detail you would typically see in the night sky.
The illustration above shows a comparison of a scene taken with moonlight and without moonlight. Notice how the image with moonlight allows you to clearly view the landscape?
Watch the Full Presentation
Photographing the Milky Way with Moonlight
This presentation expands on everything covered above, including how I plan around lunar phases, where I position the moon in relation to the galactic core, and the field decisions that shape every moonlit image I bring home. It was delivered at the Nightscaper Photo Conference, an in-person event for astro-landscape photographers, scientists, and dark-sky advocates.
Has this inspired you to consider a different approach to night photography? I highly recommend checking out my article, Night Photography Techniques: What 15 Years in the Field Taugh Me. Clear, moonless skies can provide perfect opportunities for capturing images of the Milky Way, but if your approach is also focused on the landscape, learning to use moonlight can take your images to the next level. These are the kinds of tips and techniques I teach my students during every night photography workshop. However, one of the most important topics I constantly repeat:
“Moonlight will always be your best light painter.”
If you want to learn how I photograph with moonlight, I teach night photography workshops under some of the darkest skies in the Western US. Due to strong interest in this subject, I also offer specialized workshops focusing on utilizing moonlight. Details and upcoming dates are here.
Brad Goldpaint is a professional photographer and educator whose work reflects a deep connection to wilderness and the preservation of dark skies. Through his images and teaching, he helps others reconnect with the night and its fading presence in the modern world.
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9 Responses
Wow! Thank you so much for information regarding using moonlight to light paint landscape. It adds a new dimension and opens up more opportunities to experiment with night photography!
My pleasure, Eva! Thanks for your kind words!
Chuck, amazing post and great sight, I learnt first time from you that is also a very good idea to shoot milky way in the moonlit nights.
Sorry my comment was supposed to be a reply on Chuck’s comment. But anyway the message is your website is awwwhhhh-maaaa-zinggggg!!!
Your website is amazing and the photography you have taken is wonderful! This is very useful and very informative information!!! Thank you for sharing!
Best Wishes….
Amazing! Any recommendations as to where the moon would ideally be positioned in relationship to the Milky Way?
Thank you so much for the article. Beautiful photos!
I was wondering though, Is it possible to photograph the Milky Way if the moon (not full moon but the first quarter of the waxing moon) is somewhat close or even almost in front of the bright Milky Way centre? How do you think I should approach photographing such a scene?
Excelentes imágenes, felicitaciones!
¡Gracias, Juan!